I want you to create fictional social media messages. The Lady Had Issues is a 1967 eurospy action-adventure-thriller, fourth movie in the Mysterik film series. Unlike three previous films, The Lady Had Issues focuses on Patricia Bertier, a young lawyer who, unknown to the authorities, became an accomplice and lover of infamous international thief Mysterik in the previous entry in the series, The Purple Eyes of Danger. After a successful heist, Patricia receives a mysterious anonymous message, informing her, that she has been poisoned by a slow-acting neurotoxin that will leave her completely paralyzed forever in a couple of weeks unless countered by antidote, which will be provided only if she unmasks Mysterik, even though Patricia herself doesn't know anything about his name or identity. Patricia begins her own investigation into the matter, while simultaneously also taking efforts to learn of Mysterik's true identity, unwilling but ultimately ready to betray him if the situation becomes desperate. After cleverly following a trail of evidence, Patricia thinks the key to the whole affair is a strange and petty feud between two rich families: the Hertigs and the Flamands. Young and deceptively naive Pascal Flamand and Hertigs' cunning and controlling patriarch Albert are both high-ranking executives in chemical and pharmaceutical industries. To get to the truth, Patricia has not only to infiltrate both families, befriending Pascal's wife Alice, and Hertig sisters Caroline and Mireille, but participate in the familial rivalry, which often turns surprisingly destructive and deadly, all while her body gets weaker with every day. Meanwhile, commissioners Basil Bends, whose brutishness and violence covers his intricate planning and complex agenda, and Percival Gleswick, whose courteous and proper exterior eventually gives way to his ruthless, manipulative and perverse nature, the nemeses of Mysterik, are after him. Complicating the matters, Patricia's ex-fiance Marcel Messier, a sarcastic and offbeat journalist with a deadbeat streak, proceeds with investigations of his own, which threaten to reveal Patricia's criminal activity. The movie's editing is dynamic and fast-paced, featuring experimental shots. The more remarkable and unusual scenes are the musical number performed by Mireille Hertig, Patricia's psychedelic and bizarre nightmares, the hectic car chase and illegal racing sequences, the scene portraying psychological torture invoked on injured Alice by Bends and Gleswick and the rooftop chase sequence. Write long series of various different, unusual, bizarre and random comments of various random users in the discussion panel of this film.