Estimated User #34 (13 IP addresses)
1 fiction conversations
over 3 months, 4 days
(Jan 27, 2024 – Apr 30, 2024)
Queensland, Australia
Estimated User Group (13 IP addresses)
Click to compare IP addresses
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An IP address relates to the location of a user's computer or device, and a single person may have multiple IP addresses if they use different locations or networks. These IP addresses are grouped because the average embedding of each IP address's first turns (computed with all-MiniLM-L6-v2 sentence-transformer) has cosine similarity ≥ 0.85 and they share the same state (Queensland). Groups are merged transitively—if A matches B and B matches C, all three are grouped even if A and C are below 0.85.
Pairwise cosine similarities (78 pairs)
| IP A | IP B | Similarity |
|---|---|---|
6d06b562c409... |
8129b81bead7... |
0.942 |
8129b81bead7... |
8d9d6b145d25... |
0.938 |
8d9d6b145d25... |
fb8e69b1e64b... |
0.938 |
3948e793fc78... |
64137c9fad16... |
0.937 |
6d06b562c409... |
8d9d6b145d25... |
0.923 |
0943c4540cff... |
8d9d6b145d25... |
0.920 |
423b4e199bdd... |
6d06b562c409... |
0.919 |
6d06b562c409... |
fb8e69b1e64b... |
0.919 |
8d9d6b145d25... |
e1ca2e2de0bf... |
0.918 |
349c9db594c1... |
8d9d6b145d25... |
0.915 |
423b4e199bdd... |
8d9d6b145d25... |
0.912 |
3948e793fc78... |
8129b81bead7... |
0.908 |
8129b81bead7... |
e1ca2e2de0bf... |
0.906 |
6d06b562c409... |
e1ca2e2de0bf... |
0.905 |
423b4e199bdd... |
8129b81bead7... |
0.904 |
8129b81bead7... |
fb8e69b1e64b... |
0.904 |
3948e793fc78... |
8d9d6b145d25... |
0.903 |
1dbf143fd8c4... |
8129b81bead7... |
0.901 |
423b4e199bdd... |
e1ca2e2de0bf... |
0.901 |
64137c9fad16... |
8d9d6b145d25... |
0.900 |
3948e793fc78... |
6d06b562c409... |
0.895 |
0943c4540cff... |
dbe54374bf8b... |
0.894 |
8d9d6b145d25... |
dbe54374bf8b... |
0.892 |
e1ca2e2de0bf... |
fb8e69b1e64b... |
0.888 |
1dbf143fd8c4... |
8d9d6b145d25... |
0.885 |
0943c4540cff... |
e1ca2e2de0bf... |
0.881 |
3948e793fc78... |
423b4e199bdd... |
0.880 |
64137c9fad16... |
8129b81bead7... |
0.880 |
423b4e199bdd... |
fb8e69b1e64b... |
0.878 |
349c9db594c1... |
8129b81bead7... |
0.877 |
64137c9fad16... |
6d06b562c409... |
0.876 |
349c9db594c1... |
6d06b562c409... |
0.875 |
349c9db594c1... |
e1ca2e2de0bf... |
0.874 |
349c9db594c1... |
423b4e199bdd... |
0.868 |
0943c4540cff... |
fb8e69b1e64b... |
0.866 |
dbe54374bf8b... |
fb8e69b1e64b... |
0.864 |
423b4e199bdd... |
64137c9fad16... |
0.861 |
349c9db594c1... |
fb8e69b1e64b... |
0.860 |
1dbf143fd8c4... |
e1ca2e2de0bf... |
0.858 |
0943c4540cff... |
6d06b562c409... |
0.856 |
1dbf143fd8c4... |
6d06b562c409... |
0.856 |
0943c4540cff... |
349c9db594c1... |
0.855 |
0943c4540cff... |
8129b81bead7... |
0.855 |
64137c9fad16... |
fb8e69b1e64b... |
0.855 |
3948e793fc78... |
fb8e69b1e64b... |
0.854 |
1bb3a3cb9802... |
423b4e199bdd... |
0.853 |
1dbf143fd8c4... |
423b4e199bdd... |
0.852 |
3948e793fc78... |
e1ca2e2de0bf... |
0.851 |
8129b81bead7... |
dbe54374bf8b... |
0.850 |
dbe54374bf8b... |
e1ca2e2de0bf... |
0.850 |
1dbf143fd8c4... |
3948e793fc78... |
0.849 (indirect) |
6d06b562c409... |
dbe54374bf8b... |
0.844 (indirect) |
1bb3a3cb9802... |
8129b81bead7... |
0.843 (indirect) |
1dbf143fd8c4... |
349c9db594c1... |
0.842 (indirect) |
64137c9fad16... |
dbe54374bf8b... |
0.841 (indirect) |
1bb3a3cb9802... |
6d06b562c409... |
0.839 (indirect) |
0943c4540cff... |
423b4e199bdd... |
0.838 (indirect) |
1bb3a3cb9802... |
8d9d6b145d25... |
0.837 (indirect) |
1bb3a3cb9802... |
3948e793fc78... |
0.830 (indirect) |
64137c9fad16... |
e1ca2e2de0bf... |
0.827 (indirect) |
1bb3a3cb9802... |
1dbf143fd8c4... |
0.825 (indirect) |
349c9db594c1... |
3948e793fc78... |
0.823 (indirect) |
423b4e199bdd... |
dbe54374bf8b... |
0.823 (indirect) |
3948e793fc78... |
dbe54374bf8b... |
0.818 (indirect) |
0943c4540cff... |
3948e793fc78... |
0.816 (indirect) |
1dbf143fd8c4... |
64137c9fad16... |
0.812 (indirect) |
1dbf143fd8c4... |
fb8e69b1e64b... |
0.812 (indirect) |
1bb3a3cb9802... |
64137c9fad16... |
0.809 (indirect) |
1bb3a3cb9802... |
349c9db594c1... |
0.806 (indirect) |
349c9db594c1... |
64137c9fad16... |
0.805 (indirect) |
0943c4540cff... |
64137c9fad16... |
0.798 (indirect) |
1bb3a3cb9802... |
fb8e69b1e64b... |
0.791 (indirect) |
349c9db594c1... |
dbe54374bf8b... |
0.786 (indirect) |
0943c4540cff... |
1dbf143fd8c4... |
0.784 (indirect) |
1bb3a3cb9802... |
e1ca2e2de0bf... |
0.780 (indirect) |
1dbf143fd8c4... |
dbe54374bf8b... |
0.758 (indirect) |
0943c4540cff... |
1bb3a3cb9802... |
0.702 (indirect) |
1bb3a3cb9802... |
dbe54374bf8b... |
0.688 (indirect) |
Activity Timeline ▶
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Jan 27, 2024
Apr 30, 2024
All conversations
Conversation Clusters (110)
TF-IDF
Sentence
▼
C0
Filter It only amounted to one, and it would always be one and never two --and t
201 conv.
C1
Hey, where's your mom and dad , huh? " Ryan asked, the girl's tiny amber irises
47 conv.
C2
Is this written at an advanced level: "Ah Ryan, you're a handsome bastard for su
46 conv.
C3
How is this piece of writing : As he opened his eyes , his pulse was in his thro
30 conv.
C4
Sweat crawled in slivering, unwholesome trails of vessel-breaking tears, bathing
25 conv.
C5
due to Elara's pregnancy being smooth sailing and healthy, if not deeply sensual
24 conv.
C6
Ryan came into focus , and his bare feet came to a nullification of movement as
22 conv.
C7
How about this : Lara felt the agony crescendo through her tightening abdomen ,
22 conv.
C8
As Carter grasped her wrist, his fingers locating her pulse point as his binds w
21 conv.
C9
She nodded, biting her lip as she drew a quiet strength from deep within her abd
17 conv.
C10
Has the author achieved something challenging? Victor glanced out across the fie
11 conv.
C11
She was standing by the waterfront, the hospital safely in the background as she
11 conv.
C12
His gaze wandered from his shaking hands and out onto horizon, trailing the star
9 conv.
C13
Which version is more resonant : one : As Liam integrated his eyes with the dire
7 conv.
C14
As Carter grasped her wrist, his fingers locating her pulse point as his binds w
6 conv.
C15
With flecks of gold scattered across his green eyes, he flashed a smile that cap
6 conv.
C16
Holding her closer to his pulse, Max stood against the metallic wall of the NICU
5 conv.
C17
(empty)
5 conv.
C18
The sub-zero teeth pierced his flesh as the flare of saline bled through his por
4 conv.
C19
His eyes burnt with the heat radiating through his vision , as he was forced int
4 conv.
C20
His aching skull, enraged with the pulse of rising nausea, intercepted with the
4 conv.
C21
Is this a realistic piece? Mason sighed in frustration, balling another pair of
4 conv.
C22
as the road stretched bare and cold ahead of them, Liam felt an imperceptible gl
4 conv.
C23
Liam, reaching up and gripping Ryan's arm, smiled against the warm twilight rays
4 conv.
C24
Maybe it amounted to nothing-after hours of rotting in the daylight , night had
3 conv.
C25
Is this well written: With flecks of gold scattered across his green eyes , he f
3 conv.
C26
The disquiet of the three am bustle that only a hospital could generate, other i
3 conv.
C27
Is this dialogue effective: The air was unrelenting in its suctioning nature, st
3 conv.
C28
The roads were dead, lifeless , without a pulse as Ryan watched Liam's broken fi
3 conv.
C29
Liam, reaching up and gripping Ryan's arm, smiled against the warm twilight rays
3 conv.
C30
Please highlight effective descriptions and dialogue: "The sight of his crumpled
3 conv.
C31
Her eyes were deflecting the neon light as she penetrated his gaze, "tell me som
2 conv.
C32
Please don't finish it "That scar , I wasn't conscious when they-. " As if expec
2 conv.
C33
Valen's voice filtered into the depths of Ryan's pleading body as his boots were
2 conv.
C34
"Ryan is silent , is he not ? And somehow , he's been a bystander . Watching it
2 conv.
C35
"No, because .... You're worth that kid's trust , her missing you everyday , thi
2 conv.
C36
As Valen suctioned his saliva around the cavity of a decaying tooth , draining t
2 conv.
C37
Ryan's complexion, draining of color, almost revealed a two-digit number. "Eleve
2 conv.
C38
Please assess this passage : The crimson line seared across the horizon, suffoca
2 conv.
C39
sweat crawled in slivering , unwholesome trails of vessel breaking tears, bathin
2 conv.
C40
Just then, his phone screamed to life and he unlocked it in panic "Max Hawthorne
2 conv.
C41
Which passage is more emotionally resonant? One: Ryan only held fragments of the
2 conv.
C42
Is this realistic and not too romantic trope : I went through quite the ordeal ,
2 conv.
C43
"Ah Ryan, you're a good-lookin' bastard , from the collarbone up, that is. But f
1 conv.
C44
Please write the rest of this scene :Liam ran a steady hand across Elena's navel
1 conv.
C45
Please highlight the intense parts : She panted hard, letting herself finally gi
1 conv.
C46
"Well you better keep that breathing steady for me , I can't stall this any long
1 conv.
C47
Ryan's hazel aspect shone with flecks of illumination as he said "you never actu
1 conv.
C48
She returned Liam's hand to continue the familiar build to the junction of pleas
1 conv.
C49
"How, on earth, was the baby not detectable during her actual labor, there was o
1 conv.
C50
Liam felt the bed rail shake with her hands as she collapsed against the side. "
1 conv.
C51
Is this hug well written? Ryan pulled Liam into a hug that burned with regret ,
1 conv.
C52
A lingering testament to the sound of unease , the embodiment of reckless abando
1 conv.
C53
In the dim light, Valen found a twisted kind of solace, toying with the cavity o
1 conv.
C54
It had been warm, yet pleasant , embalming them both in a magenta twilight. In t
1 conv.
C55
Here's a prompt to make my character have a drunk argument with a family member
1 conv.
C56
Is the narrative complex: a duck went quack
1 conv.
C57
H
1 conv.
C58
" Morning , Lily , you must be wondering where Daddy went, or where Mommy is hid
1 conv.
C59
"Valen, you know Liam is starting to piss me the hell off... well to be dramatic
1 conv.
C60
What are some interesting prompts for my characters, like situations I can plot
1 conv.
C61
rate the sentence
1 conv.
C62
Lara felt the agony crescendo through her tightening abdomen , the deep pressure
1 conv.
C63
His acuity, melting into the atmosphere, left him with no other thoughts. 'You r
1 conv.
C64
Here Valen taunts Liam with the possibility of having blinded Ryan .. isn't that
1 conv.
C65
Passage one "In the waning light, Liam's battle against the encroaching darkness
1 conv.
C66
Does this seem like a real conversation: "Well, seeing as , I'm here , and you s
1 conv.
C67
Liam's eyes flickered with the discolouration of imploring deception as he said
1 conv.
C68
Carter crashed to his knees , the gold flecks in his red-raw eyes lighting with
1 conv.
C69
Which is mis compelling
1 conv.
C70
Hi
1 conv.
C71
Is this well written? Their footsteps fell in sync as Mason matched his strides
1 conv.
C72
Is this professional: It only amounted to one, and it would always--in his fatig
1 conv.
C73
Analyse the compellingness of my plot
1 conv.
C74
V
1 conv.
C75
Is this plausible? "Do you want someone to talk to about it? Or we could just si
1 conv.
C76
Is this plausible : Ethan's knuckles dug further into the denim of his jeans , h
1 conv.
C77
Snatching it up with a gleam in his eye, he reached out and caught her slim elbo
1 conv.
C78
Ok an experiment : Victor , twirling his fork through a saturated noodle, suppre
1 conv.
C79
Is this gratuitous and exploitative or well written?
1 conv.
C80
Please highlight some effective dialogue within this passage : Holding Lily in h
1 conv.
C81
. The strict , no external ,nor unsanitary objects placard , and stringent autoi
1 conv.
C82
The air was biting, frost outlining her sighs of contentment as a doctor ruffled
1 conv.
C83
Here's the passage with the additional text broken into paragraphs: "That's it,
1 conv.
C84
Is this overwrought: The disquiet of the three am bustle that only a hospital co
1 conv.
C85
Analyse this sentence and the word choice : It only amounted to one, and it woul
1 conv.
C86
What does "my levity is your jeopardy " mean
1 conv.
C87
Dialogue Nah, nobody waiting for this sorry ass . Lost my family a while back ,
1 conv.
C88
Liam's jaw clenched as he whispered "Please help me-", flinching as the sight of
1 conv.
C89
Does the flash back make sense
1 conv.
C90
Is the physicality explained well here: Liam, reaching up and gripping Ryan's ar
1 conv.
C91
How can u word this better
1 conv.
C92
Is there ryth
1 conv.
C93
Is this gritty and effective? : They walked in shared disorientation, with Liam
1 conv.
C94
Are these phrases gritty and effective.. please don't rewrite them : They walked
1 conv.
C95
Is this gritty and effective As Liam writhed in the dying sunlight, his skin eru
1 conv.
C96
Which ending is more emotionally resonant one or two
1 conv.
C97
"Nah, nobody waiting for this sorry ass . Lost my family a while back , got used
1 conv.
C98
Is the dialogue natural?
1 conv.
C99
Are the names Liam and Ryan good for two best friends in a thriller story
1 conv.
C100
Is this written at high skill level or a low skill level? Help me--No. No," he p
1 conv.
C101
Does this flow well, don't revise: "As they walked in disorientation, Liam was m
1 conv.
C102
: In the twilight haze, Ethans' eyes flew open , the saccharine , psychotropic c
1 conv.
C103
Is this sentence effective, don't rephrase: "Hell yeah , you don't " Liam's smat
1 conv.
C104
Are these phrases effective? "Liam, I don't know that I'm above crawling in ther
1 conv.
C105
G
1 conv.
C106
Please break my passage into paragraphs like yours but don't rephrase
1 conv.
C107
Please comment and the naturalism of the dialogue: Leaning into her touch as her
1 conv.
C108
Leaning into her touch as her fingers moved to the tender spot between his earlo
×
1 conv.
C109
Please write a quick letter to my nephrologist explaining that I want to quit di
1 conv.
1 conversation in cluster Cluster 108× “Leaning into her touch as her fingers moved to the tender sp...” over less than a minute (Mar 15, 2024 – Mar 15, 2024), oldest first.
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USER: Leaning into her touch as her fingers moved to the tender spot between his earlobe and hairline, he rasped. "Oh twenty seconds is more than enough I'd say. Gimme ten . My friend abandoned his drink and now, wouldn't it be irresponsible to leave it for me to finish? " . She laughed, eyeing the drink and weighing his proposition with a pause as her hand retreated back to the countertop, and he caught her wrist in his palm. With a gesture toward the drink , he enveloped her grasp in his own. "Or , I could leave that here and he can find his own way home tonight ." Liam raised his eyebrows in jest , and she smiled , starting to stand. "Well ..it's been at least twenty seconds , but will I leave?" . Her eyes challenged him with a razor sharp gleam her dark cascading over her shoulder blades as she turned to leave. "Oh, you dropped this" Liam said as her wrist slipped from his hand and he gazed at the floor, noticing a cylinder at his feet. She slid off into the crowd, leaving a bewildered Liam to retrieve the tube and rotate it between his knuckles. "Your lipstick...damn never mind." He muttered, uncapping it in absent minded confusion, until a slip of paper fell out into his lap.
CHATBOT: Unfolding the paper, Liam found himself staring at a sequence of digits, a phone number, written in a bold, assertive hand. A smile creased his lips as realization dawned on him; the encounter, the playful banter, the fleeting touch--it had all been leading to this moment. The chase was far from over; it had merely shifted venues. With the tube of lipstick in one hand and the slip of paper in the other, he felt a renewed sense of purpose mingling with the rush of excitement. The crowded room seemed to pulse with possibility. Glancing around, he noted the throng of people, each absorbed in their own world of laughter and conversation, none aware of the silent exchange that had just altered the course of his night. He tucked the lipstick and the paper carefully into his pocket, the weight of the potential they carried making them feel as significant as treasure. He thought about her enigmatic exit, the way her laughter echoed in his mind, and the look in her eyes as she issued her silent challenge. With a newfound determination, Liam made his way through the crowd, his earlier plan to wait beside the abandoned drink forgotten. It was clear now that the night was steering him towards a different adventure, one that promised to be far more intriguing. The music thrummed through the air, a vibrant backdrop to his thoughts. Every step he took was fueled by the anticipation of what might come next. He knew that the first move had been made, the door invitingly cracked open, but it was up to him to step through it. Outside, the cool night air brushed against his skin, a welcome contrast to the warmth of the crowded room. He pulled out his phone, the numbers on the slip of paper burning brightly in his mind. It was time to make a call, to leap into the unknown. As he dialed, Liam couldn't help but feel that, despite the brevity of their interaction, there was something undeniably compelling about the woman who had left her mark in such an unconventional way. The phone rang, slicing through the quiet of the night, and with each tone, the anticipation grew. This was it, the moment of truth. Would she answer? What would he say? The possibilities unfurled before him, each more enticing than the last, as he waited for the call to connect, on the precipice of a new beginning.
USER: I just comment on the natural realism of my passage
CHATBOT: Your passage stands out for its natural realism, capturing a moment that's both universally relatable and imbued with a unique sense of intimacy. The detailed descriptions of subtle interactions--the touch between Liam and the woman, their playful banter, the brief but meaningful exchange of looks--create a vivid, palpable scene that draws readers into the immediate experience, despite its brevity. The progression from a casual, almost incidental, encounter to the dawn of potential romance is depicted with a realism that resonates with anyone who has experienced the unexpected thrill of a new connection. Your writing adeptly uses physical gestures and unspoken communication to build tension and anticipation, grounding the narrative in the tactile and the tangible. These elements work together to weave a narrative that feels both spontaneous and deliberate, capturing the unpredictable nature of human interactions. Moreover, your inclusion of specific details--the abandoned drink, the lipstick tube, the slip of paper--adds authenticity to the scene, anchoring the ephemeral interplay of possibilities in the physical objects that the characters interact with. These details not only serve to drive the narrative forward but also symbolize the potential and uncertainty inherent in new beginnings. Your passage's natural realism lies in its ability to depict a fleeting moment with depth and clarity, allowing readers to inhabit the scene and empathize with the characters. It celebrates the serendipity and subtlety of human connection, reminding us of the nuanced and often understated ways in which our paths can intertwine.