IP #199
100 total fiction conversations
over 22 days
(Feb 6, 2024 – Feb 28, 2024)
Canada
Explore Story Permutations (10)
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Story permutations group this user's prompts into themes based on how similar their wording or meaning is. Click a group to see how the user's prompts evolved: within a selected group, each prompt is shown as a word-level diff against the previous one — green marks text the user added, and red strike-through marks text they removed. This reveals how the user revised, expanded, or pruned their prompts as they iterated. Jump to methodology →
C0
Write a list of 12 animated movies, and for each movie, write a humorous 2-line
2 conv.
C1
Write a list of 8 animated movies that were released before February 15th, 1974,
2 conv.
C2
Write a list of 12 Zootopia questions that don't have answers. The questions are
2 conv.
C3
Write a humorous movie script, set in the Zootopia universe, about Finnick attem
2 conv.
C4
Write a humorous movie script, set in the Zootopia universe, about Nick Wilde an
2 conv.
C5
Write a humorous movie script, about various non-anthropomorphic animals trottin
×
2 conv.
C6
Write a list of 15 Zootopia characters, and for each character, write a hilariou
2 conv.
C7
Write a hilarious parody creepypasta, about a bored man (who is the narrator) ru
2 conv.
C8
Write a humorous SCP description about an SCP that is an anomolous DVD player wi
2 conv.
C9
Write a story, set in the Zootopia universe, about Judy Hopps and Nick Wilde arg
2 conv.
Showing 2 conversations in story permutation C5× “Write a humorous movie script, about various non-anthropomor...” over 1 minute (Feb 21, 2024 – Feb 21, 2024), oldest first.
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USER: Write a humorous movie script, about various non-anthropomorphic animals trotting around in a white, blank void, with various objects. The script seems nonsensical if the viewer has not watched Zootopia, but if the viewer *has* watched Zootopia, then it becomes a vague plot summary told through the animals' movements.
CHATBOT: Title: Zoomanity Rhapsody INT. WHITE, BLANK VOID - DAY The scene opens with a stark, endless white void. There's no discernible floor or ceiling, just whiteness in every direction. We see a FOX trotting in, looking smooth with a sly grin plastered on his face. Moments later, a RABBIT hops in, looking determined and somewhat feisty. Around them are objects that seem completely out of place: a popsicle stick, a police badge, a small potted plant, a recording pen, and a tiny model train. FADE IN: INTRODUCTORY NARRATIVE: (voice over, jocularly) "Welcome to Zoomanity Rhapsody, where the rules of reality hop on out the window, and the critters of critique are the stars of the show!" FOX (winks at the camera) "Ladies and gents, prepare for a hare-raising experience!" RABBIT (rolls her eyes) "Let's get this tail on the road." The FOX snickers and picks up the popsicle stick with his mouth, gallivanting around the space like a maestro with a baton, a clear nod to Zootopia's hustling scene. He then strategically places the stick on the ground as if claiming a piece of real estate. CUT TO: RABBIT, unimpressed, hops over to the police badge, slaps it onto her chest with a forepaw, and stands with paws akimbo, exuding authority. FOX (with mock gravity) "Oh, Officer Fluff, how can I be of assistance to the Clawhauser Department today?" The RABBIT thumps her hind leg in disapproval then picks up the recording pen using her mouth, pretending to speak into it with urgency, another nod to Zootopia's plot. Suddenly, a SLOTH enters the scene very slowly dragging a model train. The animals watch with forced patience as the train's meandering journey spans an excruciating five minutes of screen time, referencing the DMV sequence. FOX (turns to the audience) "Time flies when you're... oh wait, it doesn't." RABBIT (facepalming) "It's called a hustle, sweetheart." The SLOTH finally stops, places the train down, and laboriously waves, exiting as slowly as he came. FOX and RABBIT exchange a knowing glance, then simultaneously rush to the train, triggering a chaotic race that alludes to the chase scene in Little Rodentia. The two size-inappropriate animals comically struggle with the tiny train, performing outlandish acrobatics that serve no apparent purpose. Up next is a SHEEP, appearing sweet and innocent, watering the small potted plant. But as the SHEEP exits, the plant transforms into a thorny, oversized problem, blooming with chaos. With teamwork, FOX and RABBIT comically conqu...
USER: Write a humorous movie script, about various non-anthropomorphic animals trotting around in a white, blank void, with various objects. The script seems nonsensical if the viewer has not watched Zootopia, but if the viewer *has*has watched Zootopia, then it becomes a vague plot summary told through the animals' movements. Also, there isn't any dialog at all in the script, the animals just make the sounds they make in real life.
CHATBOT: INT. WHITE, BLANK VOID We open to a vast, empty whiteness. It's peaceful, eerily silent. The void's tranquility is abruptly disrupted by sounds of various animals, though no source is initially seen. CUT TO: A rabbit, quite professional in demeanor, hops into view. This rabbit is an upright hopper, moving with purpose and ambition. CUT TO: A sly fox saunters in from the opposite direction, trying to remain inconspicuous as he checks out the objects appearing in the void: a toy police car, a fox-sized popsicle stick, and a tiny plant. As the rabbit approaches the police car, she slips on the popsicle stick and crashes into the tiny plant, which unexpectedly grows rapidly into a huge, blooming tree. The fox chuckles heartily (in fox chuckles), shaking his head at the clumsy rabbit. His laughter disturbs an otter holding a paw-full of blueberries, which scatter and roll in all directions. CUT TO: The camera tracks a single blueberry as it rolls toward a muscular buffalo, dressed in a tight-fitted police vest, who steps on it and skids wildly across the void. His ballet-like grace is comical as he tries to maintain his serious demeanor. The rabbit, meanwhile, finds a badge on the ground and taps it with her paw. Suddenly, many other animals appear: sheep, rhinos, a sloth, and a cheetah, all donned in various police gear, performing slow and overly-dramatic maneuvers around cones and paperwork. CUT TO: A dance-off of sorts ensues between the animals, reflecting different aspects of working together, facing their own slow bureaucracy, and learning to get along. The sloth moves at a snail's pace, frustrating the cheetah who zips around in fast forward. The fox tries to mimic the rabbit, both attempting to solve a mime-like invisible maze, circling around each other, with transient alliances. CUT TO: An elephant, portraying the idea of memory and forgetfulness, wanders around with a missing poster, keeps forgetting where it's going, and ends up following its own tail. The rabbit and the fox, in a moment of silence and mutual understanding, are suddenly swept away by a torrential wave of blue paint, drowning the void in color. They swim about, almost in synchronized swimming fashion, trying to save other animals from being submerged. CUT TO: The void's whiteness slowly seeps back in, leaving only the rabbit and the fox standing in a spotlight. They weave through an invisible crowd, representing the metropolitan maze of their city. They reach the final objective: a ...