User 3a9878e5bd96... - AI Fiction in the Wild

Estimated User #16 (3 IP addresses)

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1 fiction conversations over 5 months, 16 days (Oct 2, 2023 – Mar 17, 2024) Auckland, New Zealand

Estimated User Group (3 IP addresses)

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An IP address relates to the location of a user's computer or device, and a single person may have multiple IP addresses if they use different locations or networks. These IP addresses are grouped because the average embedding of each IP address's first turns (computed with all-MiniLM-L6-v2 sentence-transformer) has cosine similarity ≥ 0.85 and they share the same state (). Groups are merged transitively—if A matches B and B matches C, all three are grouped even if A and C are below 0.85.

c7e4fbd02650... View as IP →

conversations

Sample prompts:

WRite a story about Tracer peeling off her face to reveal Zarya.

Write a creepy story about Zarya uncomfortably transforming into Tracer.

Write a detailed creepy story about Tracer crawling out of Zarya's body.

Write a polite debate between a Feminist Woman and a decent man who has had poor experiences with Feminists. And don't have the guy Pander to her.

66bcfb8d56e0... View as IP →

conversations

Sample prompts:

in hl2 ep2, what if there was a quiet moment, where one night, the player and Alyx Vance sit on the back of the Jalopy, star gazing, while Alyx tells stories of her childhood, and how sweet and impact...

for a sci fi game, how could things like parasites and cybernetics body horror be dealt with in a mature way?

What if, post reunion, Gendry still saw Arya as the child he left in season 3, and over the course of winter, she grows up in his mind, and he finally sees her as a woman?

What if no one really took Arya seriously until during winter

For a 2007-2008 inspired sci fi video game, write a character bio for a mysterious-weird, yet somewhat charming Female character named Isabella Grayford, who is sometimes likeable, hateable, and scary...

3a9878e5bd96... primary View as IP →

conversations

Sample prompts:

Write a coherent and logical story about Cyborgs, Skydiving, and space travel.

What if every GoT character in the show was in season 8?

Design a combine device that creates Synthetic duplicates of life forms.

Design a Alyx Vance/Scanner/Manhack

Write lyrics to a hl2 song called I am Freeman.

Activity Timeline ▶

Oct 2, 2023

Mar 17, 2024

All conversations

Clustering: TF-IDF Sentence DBSCAN Per-user

Conversation Clusters (88)

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1 conversation in cluster Cluster 34× “could a person with potential with lots of friends ending up...” over less than a minute (Mar 11, 2024 – Mar 11, 2024), oldest first. Show: 10 15 50 100

Mar 11, 2024 at 4:01 PM NZDT — 3 turns New Zealand, Auckland fiction View full conversation

USER: could a person with potential with lots of friends ending up killing all their best friends out of perceiving them as traitors, just because they hold different views, be an effective Villain backstory? How can it be written well, and how can it be written poorly?

CHATBOT: Yes, a character with the potential who ends up killing their friends because they perceive them as traitors over differing views could serve as an effective villain backstory. The effectiveness of this backstory relies heavily on the writing quality and the depth given to the character and their relationships. Here's how it could be written well, and how it might be written poorly: **Written Well:** 1. **Complex Characterization**: The protagonist-turned-villain must be three-dimensional and complex. This means they're not just someone who kills for superficial reasons but has a deeply-rooted rationale that ties into their psychology and personal history. 2. **Believable Motivation**: There needs to be a believable and compelling reason that explains why differing views would lead to such a drastic action. Perhaps the friends betrayed the protagonist in a significant way that justifies their perception, or the protagonist has a skewed sense of reality that makes any disagreement feel like high treason. 3. **Emotional Depth**: The backstory should delve into the emotional connections between the protagonist and their friends. The feelings of betrayal, loss, anger, and confusion should be described in a way that the readers can empathize with, even if they don't agree with the actions taken. 4. **Gradual Descent into Villainy**: The progression from friend to killer shouldn't happen overnight. There should be a gradual build-up of incidents and psychological developments leading to the breaking point, allowing readers to witness the character's descent into villainy. 5. **Moral Ambiguity**: The best villains are those who think they're doing the right thing. If the protagonist can justify their actions in a way that challenges the reader's morality, it adds depth to the character and their decisions. **Written Poorly:** 1. **Lack of Depth**: If the character is simply evil for the sake of being evil, with no exploration into their motivations or feelings, it results in a flat and unconvincing villain. 2. **Unbelievable Justifications**: If the protagonist kills their friends over trivial disagreements or misunderstandings that most would consider normal or petty, their actions will seem disproportionate and will not resonate meaningfully with readers. 3. **Inconsistent Character Behavior**: If the character acts radically out of character without enough psychological development leading to that point, their actions can appear forced and confusing. 4. **Over...

USER: If the protagonist is likeable, how could their turn to villainy feel like a metaphorical death scene for the loved protagonist?

CHATBOT: To convey the "death" of the likable protagonist as they turn into a villain, the transformation needs to be handled in a way that is both devastating and poignant for the audience. Here are some storytelling elements that can help create a metaphorical death scene for the once-loved character: 1. **Highlight the Contrast**: Emphasize the positive qualities and admirable traits that made the protagonist likable in the first place. The audience should be reminded of what is being lost as the character turns. This will make the fall from grace more impactful. 2. **A Pivotal Event**: Create a critical moment that signifies the point of no return. This could be a betrayal, a traumatic event, or a significant failure that triggers the protagonist's change in character. The "death" of the protagonist's former self may coincide with this event. 3. **Symbolism**: Use symbolic elements to represent the protagonist's transformation. This could include the discarding of a cherished item, changing their appearance, or revisiting a significant location where they make a fateful decision. Symbols can be powerful conveyors of change. 4. **Internal Struggle**: Depict an intense internal conflict leading up to the moment of transformation. The protagonist may resist the change, wrestling with their conscience and the loss of their identity. The audience should feel this struggle, as it underscores the 'death' of who they once were. 5. **Reactions from Other Characters**: Show how other characters react to the protagonist's transformation. Their shock, sense of loss, or disillusionment can reflect and amplify the audience's feelings. The grief of these characters can mirror a mourning process for the protagonist's former self. 6. **Foreshadowing**: Use earlier parts of the story to hint at the potential for darkness within the protagonist. This not only makes the eventual transformation credible but also implies that the likable protagonist was always fated to "die" in this way. 7. **The Final Struggle**: Create a dramatic scene that encapsulates the protagonist's final struggle with their morals and values. This could be a moment of high tension where they make a choice that symbolizes them crossing the moral event horizon. 8. **The Aftermath**: Show the consequences of the protagonist's actions, both internally and externally. How does the protagonist feel after embracing villainy? How does the world around them change? This aftermath should reinforce the sense that somet...

Cluster 34