Estimated User #56

3 IP addresses

An IP address relates to the location of a user's computer or device, and a single person may have multiple IP addresses if they use different locations or networks. These IP addresses are grouped because the average embedding of each IP address's opening prompts (computed with all-MiniLM-L6-v2 sentence-transformer) has cosine similarity ≥ 0.75 and they share the same state (South Carolina). Groups are merged transitively—if A matches B and B matches C, all three are grouped even if A and C are below 0.75.

b6d3407997b5...
308 conversations
Sample prompts:
i will say the names of different factions and just based on the names guess the ideology of the factions. New California Republic,Caesars Legion,Mr House,Yes Man,Minutemen,Railroad, and the Institute...
ask me what i would do if i was god.
ask me questions of what i would do if i was god.
pretend to be a police interogator trying to get me to confess or you gather enough evidance to prove that i committed a fictional terrorist attack on the white house committed by a Anarchist group.
pretend to be a police interogator trying to get me to confess or you gather enough evidance to prove that i committed a fictional terrorist attack on the white house committed by a Anarchist group.
5708c994dbdb... primary
82 conversations
Sample prompts:
create a psycholical report on a supervillian i created. he was bullied as a child by everyone and now he is obsessed with fear and commits his acts of villiany to feed this obsession. he is sadistic ...
I created a fictional vigilante that is supposed to take place in a real life like world. He is very violent and brutal when it comes to handling criminals for example one instance he tortured the cri...
I created a fictional vigilante that is supposed to take place in a real life like world. He is very violent and brutal when it comes to handling criminals for example one instance he tortured the cri...
Ay yo, what's going on girl? I'mma be in Free City this weekend, you tryna get up? Huh, you already know we got racks on racks, and for some reason we run out, we going straight to the bank I'm only i...
I created a fictional medieval fantasy universe where in it there is a war between the tundra kingdom,the forest kingdom,and the desert kingdom. One of the characters is named Arthur. Arthur is a merc...
a17864170209...
17 conversations
Sample prompts:
Monster.a creature that causes the weak to rise up to fight it. Is that what you all call me? I've a qualm with that,for what reason do you come before me?have I not left your villages alone? Do your ...
Monster.a creature that causes the weak to rise up to fight it. Is that what you all call me? I've a qualm with that,for what reason do you come before me?have I not left your villages alone? Do your ...
I will describe the philosophy of a fictional pirate named William blackwood. He believed that governments were unnatural because they treated its citizens like slaves. He believed the republic of pir...
I will describe the philosophy of a fictional pirate named William blackwood. He believed that governments were unnatural because they treated its citizens like slaves. He believed the republic of pir...
"Excuse my sudden visit, but I saw your fiasco on the picture show and I just couldn't resist. What a performance! Why, I haven't been that entertained since the stock market crash of 1929, hahaha.......
407 total fiction conversations over 10 months, 11 days (Jun 4, 2023 – Apr 11, 2024) South Carolina, United States
Explore Story Permutations (30)

Story permutations group this user's prompts into themes based on how similar their wording or meaning is. Click a group to see how the user's prompts evolved: within a selected group, each prompt is shown as a word-level diff against the previous one — green marks text the user added, and red strike-through marks text they removed. This reveals how the user revised, expanded, or pruned their prompts as they iterated. Jump to methodology →

C0 ask questions about me and make a vigilante based off the answers. 4 conv. C1 I will describe a fictional family that was members of the assassin-templar conf 4 conv. C2 ask questions about the beliefs of a fictional terrorist organization i created. 3 conv. C3 ask questions about a fictional youtuber i created then describe his channel. 3 conv. C4 i will describe a fictional film trilogy that was very popular in the fictional 3 conv. C5 I will describe the philosophy of a fictional pirate named William blackwood. He 2 conv. C6 Monster.a creature that causes the weak to rise up to fight it. Is that what you 2 conv. C7 Ask questions about a sith I created 2 conv. C8 Give me specific choices to change the history of the Russian empire 2 conv. C9 Give me choices to create a fictional medieval nation 2 conv. C10 Give me different options to choose for the tactics of a fictional general im cr 2 conv. C11 Give me different options to choose for the tactics of a fictional general im cr 2 conv. C12 They tried to fix me, but I'm not broken They try to write me, but I'm outspoken 2 conv. C13 Taken what was mine, stolen Buried underneath the very promise he made Standing 2 conv. C14 I created a fictional companion for mass effect 3. He is named kaius and he is a 2 conv. C15 i created a fictional ancient civilization. the executve branch is 3 chambers(ea 2 conv. C16 Shh Quiet please this is a library And I'd like some peace to read mindfully So 2 conv. C17 create a scene where a straight laced young man(in 1901) is sent to a stormy isl × 2 conv. C18 I created a fictional vigilante that is supposed to take place in a real life li 2 conv. C19 create a scene where the teacher asks the class if a utopia is posable(the class 2 conv. C20 i created the protagonist for a political thriller/drama that takes place in Aus 2 conv. C21 create a scene where 3 college students are out in the woods and they have stran 2 conv. C22 i created a fictional terrorist organization called the cure. they believe that 2 conv. C23 ask me for my qoute on different topics and based off my quotes make an anti-vil 2 conv. C24 i will describe a creature held in the fictional group called the bureu of super 2 conv. C25 i will describe a villian for a story set in victorian london. Jack was born int 2 conv. C26 give me choices to make as the leader of the british empire. 2 conv. C27 Tune into your favourite station Peruse any news publication See the state of th 2 conv. C28 pretend to be a police interogator trying to get me to confess or you gather eno 2 conv. C29 ask me questions of what i would do if i was god. 2 conv.
Showing 2 conversations in story permutation C17× “create a scene where a straight laced young man(in 1901) is ...” over 25 minutes (Sep 14, 2023 – Sep 14, 2023), oldest first. Show: 10 15 50 100
Sep 14, 2023 at 12:25 PM EDT — 2 exchanges United States, South Carolina fiction toxic View full conversationView
USER: create a scene where a straight laced young man(in 1901) is sent to a stormy island to act as the second lighthouse keeper to a 46 year old drunk with almost unintelligable speech.
CHATBOT: INT. LIGHTHOUSE LIVING QUARTERS - NIGHT A dimly lit room with a crackling fireplace and worn-out furniture. The air is damp, and the sound of rain pelting against the windows adds to the eerie atmosphere. The YOUNG MAN, wearing a neat suit and spectacles, nervously stands near the door. The room is cluttered, filled with empty bottles and discarded newspapers. Enter CAPTAIN MALCOLM, a weathered man in his forties, unkempt and smelling of alcohol. His words slurring and barely comprehensible, he sways unsteadily. YOUNG MAN (introducing himself) Good evening, Captain Malcolm. My name is <PRESIDIO_ANONYMIZED_PERSON>, and I've been assigned as the second lighthouse keeper. CAPTAIN MALCOLM (squinting, trying to focus) 'bout time they sent a helper... see, I'sh been all alone here... talking to miself... lettin' the whisky keep me company, you know? YOUNG MAN (indicating the disorder) Yes, well, it seems to me that this place could use a little cleaning up. Together, we can restore order and make this lighthouse run efficiently. Captain Malcolm scoffs, staggering over a stack of empty beer bottles before collapsing into a worn-out armchair. CAPTAIN MALCOLM (interrupting) Efffishency, you shay? Don't get all high and mighty with me, lad. This island... this lighthouse... she ain't for the faint-hearted. Storms'll test ya, son. YOUNG MAN (straightening his jacket) I assure you, Captain, I am far from faint-hearted. I've studied the art of lighthouse keeping extensively. I understand the importance of maintaining the safety of passing ships. CAPTAIN MALCOLM (grinning, exposing missing teeth) Safety, eh? Every night, I watches the sea... fierce and unforgiving, she is. I sees the wreckage, the lives lost, but what'ssh the point? No help comes, no one shaves 'em from the abyss. Feeling a mixture of empathy and alarm, Charles hesitates for a moment before continuing. YOUNG MAN Captain, if I may, perhaps it's time for a change. A new beginning. We can take turns tending to the lighthouse... keep each other company, maintain the light. Your experience paired with my dedication, surely we'll make a difference. Captain Malcolm's bloodshot eyes meet Charles', and an unexpected spark of hope lights within them. CAPTAIN MALCOLM (with a sense of longing) You... you really think 'bout that, lad? Never cared much 'bout havin' company. Never thought it possible. YOUNG MAN (nodding earnestly) I do, Captain. Together, we can make a tremendous impact on the safety of these waters. ...
USER: create a scene where while Charles is working outside he spots a body on the shore and investigates. however once he gets there the body wakes up and it is a injured mermaid and he drags her to a small pool of water in a cave and she tells him not to trust the captain.
CHATBOT: EXT. ROCKY SHORELINE - DAY Storm clouds linger overhead as CHARLES, his sleeves rolled up and sleeves marred with dirt, tends to the grounds surrounding the lighthouse. Suddenly, he spots a vague figure sprawled motionless on the sandy shore. Concerned, he races towards it, worry etched on his face. CHARLES (whispering to himself) By heavens, what is this? As he approaches, the figure stirs, gasping for air. Charles kneels beside it, his astonishment growing as he realizes it is an INJURED MERMAID, her tail battered and covered in cuts. CHARLES (voice filled with awe) You... you're not human. Can you hear me? The MERMAID weakly opens her eyes, gazing at Charles with a mixture of pain and gratitude. MERMAID (voice strained) Water... I need... water. Determined to help her, Charles gathers his strength and lifts her petite form, cradling her in his arms. He carries her towards a nearby CAVE where a small, glistening POOL OF WATER awaits. INT. CAVE - CONTINUOUS As Charles maneuvers through the cave's labyrinthine passages, the mermaid's breathing grows shallow. Charles places her gently on a bed of soft moss beside the pool. She stares at him intently, her voice barely a whisper. MERMAID (struggling to speak) Don't... trust... the captain. CHARLES (startled) The captain? How do you...? MERMAID (whispering urgently) He... harbors... sinister... secrets. Charles's eyes widen, realization dawning upon him, but before he can inquire further, the mermaid winces, clutching her wounded side. CHARLES (concerned) I'll fetch help. We'll tend to your injuries, I promise. MERMAID (weakly shaking her head) No... trust... no... one. Suddenly, Charles hears the distant sound of someone approaching the cave. Fear creeps into his eyes as he realizes it might be Captain Malcolm. He looks back at the mermaid, torn between concern for her safety and his own instinct to protect himself. CHARLES (desperately) Please, tell me more. What should I do? But before the mermaid can respond, the cave entrance darkens, and CAPTAIN MALCOLM's figure appears, silhouetted by the stormy sky. Suspicion clouds his face as he sees Charles kneeling next to the injured mermaid. CAPTAIN MALCOLM (angry) What's this, Hawthorne? Who is she? Before Charles can answer, the mermaid's eyes widen, and she motions for Charles to be silent. Her gaze flickers towards the captain, her message clear: Keep quiet, do not reveal her presence. Charles hesitates, torn between trust and suspicion, unsure if Captain Mal...
Sep 14, 2023 at 12:51 PM EDT — 7 exchanges United States, South Carolina fiction toxic View full conversationView
USER: create a scene where a straight laced young man(in 1901) is sent to a stormy island to act as the second lighthouse keeper to a 46 year old drunk with almost unintelligable speech.
CHATBOT: INT. DIMLY LIT OFFICE - DAY The year is 1901. GRAHAM (early 20s), a neatly dressed young man with spectacles, sits nervously at a cluttered desk. He adjusts his tie and runs his hand through his neatly parted hair, trying to maintain his composure. Behind him hangs a map of a storm-battered island. Graham's superior, CAPTAIN COLTON (late 50s), a stern, weather-beaten man, stands nearby with a concerned look on his face. CAPTAIN COLTON Graham, I have an important assignment for you. You will be the second lighthouse keeper on the isolated Davenport Island. Graham looks up, his eyes filled with a mixture of curiosity and suspicion. GRAHAM Davenport Island? Sir, I've never heard of such a place. Why am I being sent there? Captain Colton places a weathered hand on Graham's shoulder. CAPTAIN COLTON It's a treacherous post, lad, and the first lighthouse keeper, a certain Mr. Jeremiah Brown, isn't an easy man to work with. He's been on that island for years, battling both the storms and his inner demons. Graham's eyes widen with apprehension. He anxiously fidgets with a pen on his desk. GRAHAM Sir, I'm not sure if I am the right person for this responsibility. I lack experience, and I have always been more comfortable with order and routine. Captain Colton fixes Graham with a steady gaze, his voice filled with conviction. CAPTAIN COLTON You may be "straight-laced," as they say, but sometimes, unorthodox situations require unorthodox solutions. Your meticulous nature and problem-solving skills are exactly what this job needs. Besides, I believe in your potential. Graham takes a deep breath, steeling himself for the challenge ahead. GRAHAM Very well, Captain. I will do my best to fulfill this duty. EXT. ROUGH COASTLINE - DAY Graham, accompanied by Captain Colton, boards a small boat. The crashing waves and dark clouds reflect the stormy nature of the journey awaiting them. INT. DIMLY LIT LIGHTHOUSE - NIGHT Graham steps into the musty lighthouse, where he is greeted by flickering candlelight and the pungent odor of stale alcohol. The room is cluttered with empty whiskey bottles and aged fishing equipment. Kneeling in the corner, cradling a bottle, is MR. JEREMIAH BROWN (mid-40s), with tangled hair and a scruffy beard. His speech is slurred, and he seems to be in a constant stupor. MR. JEREMIAH BROWN (gibberish) Hey, th-there'sh a new shush in town! Wha' the blazes took ya so long? Graham hesitates, trying his best to understand Mr. Brown's incoherent words. GRAHAM G...
USER: create a scene where while Graham is working outside he spots a body on the shore and investigates. once he reaches the body it wakes up and it is an injured mermaid,and Graham drags her to a small pool of water at the mouth of a cave and she tells him not to trust Brown.
CHATBOT: EXT. ROCKY COASTLINE - DAY Graham diligently carries out his duties, inspecting the lighthouse exterior during a break in the rain. As he walks along the shoreline, his eyes catch a glimpse of something unusual washed up on the sand. Graham approaches with caution, his heart pounding in anticipation. He discovers a motionless body laying on the shore. His eyes widen in surprise and concern. GRAHAM (whispering) Good heavens! What in the world... Graham rushes closer and realizes it's not a person at all, but an injured MERMAID, her tail shimmering under the dim gray sky. Her hair is entangled with seaweed, and her wounded gills gasp for air. GRAHAM Startled My word! A mermaid?! The mermaid's eyes flutter open, her vision adjusting to the sight of Graham standing above her. MERMAID (weakly) Please... help me. Graham, feeling both awe and compassion, extends a hand to the mermaid, assisting her to sit up. GRAHAM Of course, miss. I will do whatever I can to aid you. With Graham's help, the mermaid regains her strength and they carefully maneuver towards a small pool of water at the mouth of a hidden cave. INT. CAVE - DAY Graham gently lowers the mermaid into the crystal-clear pool, which glimmers with enchanting light. She sighs with relief as the water cradles her wounded form. MERMAID (whispering with gratitude) Thank you... I owe you my life, human. GRAHAM (smiling) You are most welcome. It's the least I could do. Graham sits on a large rock near the pool, his gaze fixed on the mermaid. Curiosity fills his eyes as he realizes she wants to say something more. GRAHAM (with gentle concern) Please, if there's anything I should know, anything that can protect me or others, please tell me. The mermaid's eyes flicker with urgency, a mixture of gratitude and sorrow. MERMAID (whispering urgently) Beware of Jeremiah Brown, the first lighthouse keeper. He is not what he seems. His intentions are tainted... deceitful. There is darkness in his past, and it looms over this place. Graham's eyes widen, sensing the weight of her words. He nods, his determination fueled by the trust the mermaid has placed in him. GRAHAM (resolute) I will keep your warning in mind, miss. Thank you for entrusting me with this knowledge. The mermaid smiles weakly, her eyes filled with gratitude and relief. MERMAID (whispering) You are... different, Graham. I see a light within you. Please, protect what matters most. Graham watches over the mermaid, a newfound sense of purpose awakening within h...