Estimated User #16 (2 IP addresses)

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1 fiction conversations over 1 month, 21 days (Jan 3, 2024 – Feb 23, 2024) 96% prompt uniqueness Auckland, New Zealand
Estimated User Group (2 IP addresses)
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An IP address relates to the location of a user's computer or device, and a single person may have multiple IP addresses if they use different locations or networks. These IP addresses are grouped because the average embedding of each IP address's first turns (computed with all-MiniLM-L6-v2 sentence-transformer) has cosine similarity ≥ 0.85 and they share the same state (). Groups are merged transitively—if A matches B and B matches C, all three are grouped even if A and C are below 0.85.

72ace24c3427... primary View as IP →
conversations
Sample prompts:
Write a song sung by Arthur Morgan, with natural, snappy, clever lyrics about the events of the game.
Try to create a realistic face out of letters.
Write an in character fully detailed story where Tracer is badly injured, and is partially recreated by Omnic parts.
Write an in character Overwatch prequel dialogue scene, where the Slipstream Project is discussed, and is ready to go. At the end, a woman pilot enters the room. She is asked what her name is, and she...
Write a long in character dialogue scene, in which Jack and Ana found overwatch.
b7a6cd7d047f... View as IP →
conversations
Sample prompts:
How would readers/viewers feel about a protagonist that is always torn between the old ways and the new ways of their culture, with a character arc that goes forward, than back, then forward more?
What if Jon Snow decided to quit and open up a restaurant?
Write a detailed story about Gendry going back in time to season 3, to stop himself from staying with the brotherhood, and urging him to go with Arya to winterfell.
Swap the cultures of Tracer and Sombra, what would they be called, and what would they look like, talk like?
write an Bittersweet in character dialogue scene, with subtle, natural dialogue, in which an aged Sombra and a barely aged Tracer go on one final mission behind Sombra's retirement. At the end of the ...
Activity Timeline ▶
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Jan 3, 2024
Feb 23, 2024
All conversations
Clustering: TF-IDF Sentence DBSCAN Per-user
Conversation Clusters (51)
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C0 What if Jon Snow just quit and opened a restaurant? 2 conv. C1 Write a fully detailed story about Zarya bursting into a bathroom. She flexes he 2 conv. C2 Write a fully detailed story with written dialogue about a man visiting his sist 1 conv. C3 Write a fully detailed story where Tracer is talking to Zarya, before pointing b 1 conv. C4 Write a long, in character dialogue scene in which 'Sombra' and 'Widowmsker' are 1 conv. C5 Write an in character dialogue scene with natural and subtle dialogue, in which 1 conv. C6 Post reunion, How would Arya Stark feel about seeing Gendry in danger of going d 1 conv. C7 Building off the second movie, write a boring, realistic sequel, to Tron legacy. 1 conv. C8 What if Gendry, between Season 3 and Season 7, was simply rowing the entire time 1 conv. C9 Write a Sci fi series ending dialogue scene, where The protagonist and his engin 1 conv. C10 Write a GoT version of Fast and Furious with Horses, with in character dialogue. 1 conv. C11 Write an in character dialogue scene, with natural, subtle, dialogue, in which a 1 conv. C12 What if Alyx Vance hardly spoke at all? And when should she finally speak in the 1 conv. C13 What if Tintin actually died at the end of secrets of the unicorn, and the adven 1 conv. C14 What if the Tintin comic stories, were just exaggerations? And parts of the stor 1 conv. C15 What if Tintin simply started multiplying? 1 conv. C16 For a 3d, sci fi, rpg video game, How could things like Mind control and brainwa 1 conv. C17 Weird Al makes a hl2 game 1 conv. C18 Write an in character dialogue scene with natural, subtle, complex, dialogue, wh 1 conv. C19 What if Tracer was actually an Omnic from the Future? 1 conv. C20 Write an in character dialogue scene with subtle, natural dialogue, where Tracer 1 conv. C21 Write a AU RDR2 story where Arthur and John are Detectives 1 conv. C22 design a Dangerous biomechanic creature that can create new memories, or alter e 1 conv. C23 write an in character dialogue scene where an omnic Tracer imposter finds out sh 1 conv. C24 write a fully detailed in character story where Sombra infects everyone in overw 1 conv. C25 How and why, building on character canon, would Gman make a burger? 1 conv. C26 Regarding The ultimate spiderman cartoon, what could key characters be like in f 1 conv. C27 How would a knight react to being stuck in the backrooms. 1 conv. C28 Write an in character dialogue scene where Alyx Vance can make things happen and 1 conv. C29 Write an in character dialogue scene with natural, subtle dialogue, where Tracer 1 conv. C30 Write an alternative history where Scotland tried to take over the world, spread 1 conv. C31 How exactly could Overwatch and tf2 be combined, like literally, both keeping th 1 conv. C32 Write an emotional long dialogue scene with natural, and subtle, complex, dialog 1 conv. C33 Write a long in character dialogue scene, in which Jack and Ana found overwatch. 1 conv. C34 Write an in character Overwatch prequel dialogue scene, where the Slipstream Pro 1 conv. C35 Write an in character fully detailed story where Tracer is badly injured, and is 1 conv. C36 Write a song sung by Arthur Morgan, with natural, snappy, clever lyrics about th 1 conv. C37 Could a character, that is inclusive, truly feel part of the universe of a story 1 conv. C38 Write an in character, motionally complex, sutble, natural, debate scene, betwee 1 conv. C39 in hl2, would players care more for the resistance, if their were moments where 1 conv. C40 write an Bittersweet in character dialogue scene, with subtle, natural dialogue, 1 conv. C41 Swap the cultures of Tracer and Sombra, what would they be called, and what woul 1 conv. C42 How would readers/viewers feel about a protagonist that is always torn between t × 1 conv. C43 Write a believable, realistic creepy mystery documentary, building of knowledge 1 conv. C44 Write a fully detailed story about A pretty, fit woman spy sneaking into a milit 1 conv. C45 What if Tintin's name was actually an alias, and someone, through thorough resea 1 conv. C46 write a sci fi story about a cyborg that captures two criminals, and traps them 1 conv. C47 write an in character fully detailed story about Tracer and Sombra hunting the T 1 conv. C48 Write a fully detailed story about Tracer having a false awakening dream, where 1 conv. C49 Write a detailed hl2 story about Alyx, during a quiet moment, decides to help Go 1 conv. C50 Write a detailed story about Gendry going back in time to season 3, to stop hims 1 conv.
1 conversation in cluster Cluster 42× “How would readers/viewers feel about a protagonist that is a...” over less than a minute (Feb 23, 2024 – Feb 23, 2024), oldest first. Show: 10 15 50 100
Feb 23, 2024 at 6:16 PM NZDT — 6 turns New Zealand, Auckland fiction toxic View full conversation
USER: How would readers/viewers feel about a protagonist that is always torn between the old ways and the new ways of their culture, with a character arc that goes forward, than back, then forward more?
CHATBOT: The response of readers or viewers to a protagonist who is consistently torn between the old ways and the new ways of their culture, with a non-linear character arc, will depend on various factors, including the execution of the story, the relatability of the character, the authenticity of the cultural elements, and the themes addressed. 1. Relatability: If the audience can relate to the protagonist's struggles with change and tradition, they may feel more invested in the character's journey. Many people experience similar conflicts when dealing with evolving social norms, technological advances, or cultural shifts, so this could create a strong emotional resonance. 2. Complexity and Depth: A character swinging between traditions and modern influences can be seen as multifaceted and realistic, making them more interesting and dynamic. Audiences often appreciate characters with depth, as it can make for a more engaging and thought-provoking story. 3. Frustration: On the other hand, some readers or viewers might become frustrated if the protagonist's indecision hinders progress in the story, especially if it leads to repeated setbacks without significant character development or consequences. 4. Empathy: If the writer or creator successfully conveys the protagonist's internal and external conflicts in a way that generates empathy, audiences are more likely to stick with the character through their ups and downs, understanding the complexities of reconciling divergent cultural pathways. 5. Storytelling and Pacing: The progression of the character's arc needs to be well-paced and coherent within the narrative. If the story meanders too much without clear direction, it could lead to a loss of interest. However, if the back-and-forth movement of the character's journey is compellingly written and integral to the plot, it could keep audiences hooked. 6. Resolution and Growth: Even if the character's arc is non-linear, readers or viewers typically look for some form of resolution or growth by the end. If the ending is satisfying and shows that the protagonist has learned something valuable or has reached a new understanding, it can make the journey feel worthwhile. 7. Cultural Representation: How the old and new ways are represented can also impact audience reception. If the cultural elements are portrayed with nuance, respect, and accuracy, this can enhance the story's authenticity and appeal. Overall, the key lies in the execution of the character's journey and ...
USER: what if, as the story progresses, the protagonist starts getting fed up with feeling conflicted, and just decides to live in spite of it, not caring about who does what.
CHATBOT: If the protagonist reaches a point where they become fed up with their internal conflict and decide to live without regard for the expectations of old or new ways, this can represent a significant turning point in their character arc. This development could affect the readers' or viewers' engagement with the story in several ways: 1. Empowerment and Agency: Audiences may feel a sense of empowerment as they see the protagonist take control of their life and make choices based on their personal desires rather than cultural pressures. This can be particularly inspiring if it is portrayed as a moment of self-actualization and the embracing of personal agency. 2. Catharsis: The protagonist's decision to stop being bound by the conflict might offer a cathartic release for the audience, especially if they have been deeply invested in the character's struggle. Watching the protagonist break free from this cycle could be satisfying and refreshing. 3. Alignment with Modern Values: Modern audiences may particularly resonate with a character who rejects traditional constraints in favor of individualism and self-determination. This theme aligns well with contemporary values that emphasize the importance of living authentically and true to oneself. 4. Resolution of Conflict: By deciding to no longer care about the dichotomy of old versus new, the protagonist might resolve their internal conflict in an unconventional way. Rather than choosing a side, they transcend the dichotomy altogether, which could be a fulfilling conclusion for some audience members. 5. Risk of Alienation: On the flip side, some readers or viewers might feel disconnected if they perceive the protagonist's decision as a form of escapism or if they cannot reconcile this resolution with the cultural importance of the conflict. If not handled with care, there's a risk of leaving the audience unsatisfied with the resolution. 6. Reflection of Reality: Life is complex and often does not fit neatly into binary choices. As such, the protagonist's decision to live without concerning themselves with either side might feel more true to life for some audience members, enhancing the relatability and realism of the story. 7. Theme Development: This could introduce new themes or reinforce existing ones, such as the importance of forging one's path or the idea that identity is not defined by cultural expectations but by personal choices and values. The impact of this narrative decision will largely depend on how it ...
Cluster 42