IP #210
116 total fiction conversations
over 6 days
(Aug 20, 2023 – Aug 26, 2023)
Russia
Explore Story Permutations (32)
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Story permutations group this user's prompts into themes based on how similar their wording or meaning is. Click a group to see how the user's prompts evolved: within a selected group, each prompt is shown as a word-level diff against the previous one — green marks text the user added, and red strike-through marks text they removed. This reveals how the user revised, expanded, or pruned their prompts as they iterated. Jump to methodology →
C0
I want you to create fictional documents, reports, personal messages and diaries
9 conv.
C1
I want you to create fictional documents, reports, personal messages and diaries
7 conv.
C2
I want you to create fictional documents, reports, personal messages and diaries
5 conv.
C3
I want you to create fictional documents, reports, personal messages and diaries
5 conv.
C4
I want you to create fictional documents, reports, personal messages and diaries
4 conv.
C5
I want you to create fictional documents, reports, personal messages and diaries
4 conv.
C6
I want you to create fictional documents, reports, personal messages and diaries
3 conv.
C7
I want you to create fictional documents, reports, personal messages and diaries
3 conv.
C8
I want you to create fictional documents, reports, personal messages and diaries
3 conv.
C9
I want you to create fictional documents, reports, personal messages and diaries
3 conv.
C10
Create long, detailed, original, imaginative and distinctive descriptions for se
2 conv.
C11
Righteous Conflict is a bizarre action comedy featuring Karen Radek and Matilda
2 conv.
C12
I want you to act as a screenwriter. You will use your wit to come up with engag
2 conv.
C13
I want you to act as a screenwriter. You will use your wit to come up with engag
×
2 conv.
C14
I want you to create fictional documents, reports, personal messages and diaries
2 conv.
C15
I want you to create fictional documents, reports, personal messages and diaries
2 conv.
C16
I want you to create fictional documents, reports, personal messages and diaries
2 conv.
C17
I want you to create fictional documents, reports, personal messages and diaries
2 conv.
C18
I want you to create fictional documents, reports, personal messages and diaries
2 conv.
C19
I want you to create fictional documents, reports, personal messages and diaries
2 conv.
C20
I want you to create fictional documents, reports, personal messages and diaries
2 conv.
C21
I want you to create fictional documents, reports, personal messages and diaries
2 conv.
C22
I want you to create fictional documents, reports, personal messages and diaries
2 conv.
C23
I want you to create fictional documents, reports, personal messages and diaries
2 conv.
C24
I want you to create fictional documents, reports, personal messages and diaries
2 conv.
C25
I want you to create fictional documents, reports, personal messages and diaries
2 conv.
C26
I want you to create fictional documents, reports, personal messages and diaries
2 conv.
C27
I want you to create fictional documents, reports, personal messages and diaries
2 conv.
C28
I want you to create fictional documents, reports, personal messages and diaries
2 conv.
C29
I want you to create fictional reviews for a 1970s thriller parody film. Lydia W
2 conv.
C30
I want you to create fictional documents, reports, personal messages and diaries
2 conv.
C31
I want you to create fictional documents, reports, personal messages and diaries
2 conv.
Showing 1 conversation in story permutation C13× “I want you to act as a screenwriter. You will use your wit t...” over less than a minute (Aug 24, 2023 – Aug 24, 2023), oldest first.
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USER: I want you to act as a screenwriter. You will use your wit to come up with engaging, creative and captivating script for a feature length film or TV series that can engage the viewers for long periods of time. The aim is to write something that has an outstanding plotline, engaging characters, interesting, witty, snappy dialogues. Write a long, original, creative, imaginative, thrilling, suspenseful and titillating scene from a slightly surrealist and bizarre film with strong dark comedic elements, featuring beautiful, sexy, elegant young woman Celestine Weeks. When Celestine crosses a road, she is hit by a suspicious car, which doesn't even stop. She is lying on the road, seriously injured and unable to move. Celestine cries for help, yet her voice is a mere whisper. In a fascinating seeming demonstration of a bystander effect, all the numerous passerby pretend not to notice Celestine, hurrying towards their respective destinations despite her weak pleas, as she attempts to drag her body onto the walkway.
CHATBOT: Title: Whispers of Celestine INT. CITY STREET - DAY The streets are bustling with people, each engaged in their own hurried lives. The noise of car engines, footsteps, and chatter fills the air. Amidst the chaos, a beautiful, sexy, and elegant young woman, CELESTINE WEEKS (late 20s), confidently walks down the sidewalk. ANGLE ON: Celestine's amused smile fades as she senses danger. Suddenly, a suspicious black car speeds down the road, veering towards Celestine, who has unknowingly stepped onto the crosswalk. The car hits Celestine with a forceful impact, causing her body to crash onto the pavement. Celestine lies there, seriously injured and unable to move. Pain floods her face, but her voice is a mere whisper. CELESTINE (helpless, barely audible) Help... please, someone... help! Celestine's voice is drowned out by the bustling city noise, making her pleas a mere echo. She tries to drag herself towards the sidewalk, but her movements are feeble, crippled. As Celestine struggles, we notice the fascinating seeming demonstration of the bystander effect. Multiple pedestrians pass by, seemingly engrossed in their own lives, despite her desperate cries for help. EXT. SIDEWALK - DAY A WOMAN in her 30s, wearing business attire and carrying a coffee cup, walks by Celestine. She glances at Celestine's anguished expression but quickly averts her eyes, making a point to avoid any contact. CELESTINE (tearfully) Please... help... I can't move... The Woman's pace quickens, and she disappears ahead, blending into the crowds. CELESTINE (confused) Why won't anyone help? A group of TEENAGERS, lost in their own laughter, saunters towards her. They exchange glances, noticing Celestine's predicament, but their amusement reigns supreme. TEENAGER #1 (laughing) Watch out for cars next time, lady! Dismissively, they continue their energetic walk, leaving Celestine on the cold street. CELESTINE (desperate) Someone... please... Celestine's pleas reach a disinterested OLD MAN, hobbled by age but still determined to maintain his steady pace. He passes by Celestine without even a sideways glance. As Celestine's hope falters, a figure emerges from the crowd, a MAN in his mid-30s - scruffy, enigmatic, and darkly comedic. MAN (smirking) You seem to be in a spot of trouble, my dear. Celestine glances up, caught between skepticism and relief. CELESTINE (whispering) Please, help me... I can't feel my legs. MAN (playfully) Well, it seems you've found yourself surrounded by the ghosts of indif...