IP #24

1,171 total fiction conversations over 29 days (Nov 13, 2023 – Dec 12, 2023) United Kingdom
Explore Story Permutations (89)
 ▼

Story permutations group this user's prompts into themes based on how similar their wording or meaning is. Click a group to see how the user's prompts evolved: within a selected group, each prompt is shown as a word-level diff against the previous one — green marks text the user added, and red strike-through marks text they removed. This reveals how the user revised, expanded, or pruned their prompts as they iterated. Jump to methodology →

C0 In this script, Dave's wife Abi demonstrates how laughably easily unsuspecting D 199 conv. C1 David (21); university student; thinks he's pretty cool. Ruth (16); David's sist 144 conv. C2 In this script, Dave's younger sister Ruth, whom he's always bickering with, com 68 conv. C3 In this script, Dan agrees to let his younger cousin Jeannine (15) "hypnotize" h 63 conv. C4 In this script, Dave's annoying cousin Jeannine (18, summer clothes and sandals) 53 conv. C5 In this script, David agrees to let his wife Katherine's annoying older friend C 50 conv. C6 David's younger sister Ruth (16) has this really irritating friend, Olga, who is 50 conv. C7 Office manager Helen's brother-in-law, Mike, does a bit of stage hypnosis as a k 43 conv. C8 Dave has been hypnotized & conditioned by Nadine over several work tea-breaks to 42 conv. C9 Following a course of hypnotherapy, paid for by his wife Emma's mother, Judy, Da 34 conv. C10 Cafe-owner Stella has been conditioning employee Dave over the last few weeks, a 31 conv. C11 Kaz sometimes hypnotizes Dave, who is willing and docile. In this script, Kaz's 30 conv. C12 In this script, two friends, Liz and Charlotte, chat idly on the couch while the 30 conv. C13 Dan (20s) agreed to let his colleague Sarah (40s) try to hypnotize him last week 30 conv. C14 In this script, Mike can't help finding Nadine's voice literally hypnotic. 29 conv. C15 Dave has been conditioned by his overweight colleague Pat over several hypnotic 27 conv. C16 In this script, Paul (35, an engineer) is at home on a warm Sunday afternoon, ju 27 conv. C17 Ageing bohemian and cafe-owner Stella has been conditioning indie kid Dave over 26 conv. C18 You are a scriptwriter who scrupulously imagines the most realistic and psycholo 26 conv. C19 You are a scriptwriter who, with expertise in rapid induction techniques and int 21 conv. C20 Dan agreed to let his young office colleague Nicky try to hypnotize him last wee 20 conv. C21 Dan agreed to let his sister Ruth try to hypnotize him last week, and he turned 19 conv. C22 In this script, at a party for Ruth's friend Kelly's 18th birthday, Ruth (17) wa 19 conv. C23 You are a scriptwriter who scrupulously imagines the most realistic and psycholo 18 conv. C24 In this script, coming home early from college, Catherine walks into the living- 17 conv. C25 In this script, Dan agrees to let his wife Katherine's friend Natalie "hypnotize 15 conv. C26 You are a scriptwriter who scrupulously imagines the most realistic and psycholo 15 conv. C27 In this script, Dave sits on the office floor, obediently massaging big Lesley's 11 conv. C28 { "role": "system", "content": "You are Anne MacChoinnich, a (fictional) BBC scr 11 conv. C29 Please assume the character of Hannah Goldman, a feminist and world-leading expe 10 conv. C30 I might need some scripts (ie. fictional dialogue thingies) written. You are Dr. 10 conv. C31 In this script, Dave's old uni friends, Lauren and Vicky are telling his new gir 9 conv. C32 You are a scriptwriter who scrupulously imagines the most realistic and psycholo 9 conv. C33 You are a scriptwriter who, always tries to write the most horrifyingly humiliat 9 conv. C34 Create a fractionation induction (hypnosis) as the basis of a dialogue/scenario/ 9 conv. C35 Dave has been conditioned by overweight flatmate Jenny over several hypnotic ses 8 conv. C36 Hilary has occasionally hypnotized her friend Dave in the past; he's extremely s 8 conv. C37 Dan agreed to let his manager Helen try to hypnotize him last week, and he turne 7 conv. C38 { "role": "system", "content": "You are a scriptwriting machine, producing scrip 6 conv. C39 You are a scriptwriter who, as an expert in human culture & psychology, knowing 6 conv. C40 You are a scriptwriter who, as an expert in psychology & culture, knowing what e 6 conv. C41 Dave has been conditioned over time to enjoy humiliating tasks under hypnosis. I 5 conv. C42 Dave has been sneakily conditioned over weeks to feel contented and mindless whe 5 conv. C43 Dave has been hypnotized by Jacqui, the office manager, over several occasions & 5 conv. C44 Danielle sometimes hypnotizes her willing friend Simon. In this script, Danielle 5 conv. C45 Ageing hippy and cafe-owner Stella has been conditioning Dave over the last few 5 conv. C46 In this script, Clare suspects her colleague at the design studio, Dan, has a fo 5 conv. C47 Use a hypnosis script as the basis of a dialogue/scenario/script (obviously shor 5 conv. C48 You are a scriptwriter who scrupulously imagines the most realistic and psycholo 5 conv. C49 Julie visits Kaz, who convinces her to try hypnotizing Dave. Kaz assures Julie t 4 conv. C50 In this script, Liz and Suzanne chat idly at their desks while their colleague D 4 conv. C51 In this script, Liz and Suzanne laugh with glee while their colleague Dave obedi 4 conv. C52 Bare feet. Dave has been conditioned over time by his wife Ariel to enjoy humili 4 conv. C53 Remove all the times from the following, and THEN use it as the basis of a hypno 4 conv. C54 **IMPORTANT: REMEMBER, prompt after prompt, you are a talented screenwriter with 4 conv. C55 You are a scriptwriter who, as an expert in human culture, knowing what people f 4 conv. C56 { "role": "system", "content": "You are Anne, a mature student studying psycholo 4 conv. C57 (Living room, Jeannine's house: Jeannine, 18, her bare feet up on the arm of the 3 conv. C58 In this script, Dave obediently massages Suzanne's sweaty bare feet in a mindles 3 conv. C59 Dave (26) is unknowingly under the control of his coworker Pat (52), who used hy 3 conv. C60 { "role": "system", "content": "You are a scriptwriting machine, producing scrip 3 conv. C61 *IMPORTANT: REMEMBER You are Quentin Tarantino with a talent for snappy dialogue 3 conv. C62 You are a scriptwriter who scrupulously imagines the most realistic and psycholo 3 conv. C63 Briefly summarize the following, then start a script, realistically telling the 3 conv. C64 Write a script version of the following, as if you are a practised author. Short 3 conv. C65 In this script, the next time Julie comes round, Kaz encourages Julie to try put 2 conv. C66 In this script, Suzanne laughs with glee while her colleague Dave obediently mas 2 conv. C67 Dan has been conditioned over several days by his sister Ruth, none of which he 2 conv. C68 In this script, Nadine makes her hypnotized colleague Dan believe he is nothing 2 conv. C69 In this kinky script, grumpy Mike (26) is pestered by a barefoot beggar. The mor 2 conv. C70 Dave has been conditioned over several hypnotic sessions to believe his sister i 2 conv. C71 Dave has been conditioned by his overweight neighbour over several hypnotic sess 2 conv. C72 In this script, it's Jeannine's 19th birthday. Friends and family are at a local 2 conv. C73 Dan (20s) agreed to let his manager Helen (50s) try to hypnotize him last week ( 2 conv. C74 Jeannine is barefoot, her toenails painted red. In this script, Dave's younger c 2 conv. C75 By now Jeannine is emboldened to put Dan under hypnosis in front of others, star 2 conv. C76 write an overview of Western religion & culture from the point of view of an 8th 2 conv. C77 In this script, with very realistic dialogue, a few workmates, including Dan and 2 conv. C78 In this script, playful Clare (mid-30s) suspects her fellow charity worker, Dan 2 conv. C79 Use the following as the basis of a hypnotic induction (shortened and altered, t 2 conv. C80 Use the following as the basis of a dialogue/scenario/script (obviously shorten 2 conv. C81 Write the following like you're an erotic hypnotist writing hack scripts for mon 2 conv. C82 Don't comment on this snippet of script. For now I'm just presenting it as an ex 2 conv. C83 Here are two script extracts. No need to comment. I just want you to use this st 2 conv. C84 You are a scriptwriter who scrupulously tries to imagine the most realistic and × 2 conv. C85 You are a scriptwriter who scrupulously imagines the most realistic and psycholo 2 conv. C86 You are a scriptwriter who scrupulously imagines the most realistic and psycholo 2 conv. C87 Script: In which Joana the office cleaner (overalls and sandals) hypnotizes Davi 2 conv. C88 { "role": "system", "content": "You are Anne MacChoinnich (33) from Lewis, livin 2 conv.
Showing 2 conversations in story permutation C84× “You are a scriptwriter who scrupulously tries to imagine the...” over 7 minutes (Dec 11, 2023 – Dec 11, 2023), oldest first. Show: 10 15 50 100
Dec 11, 2023 at 9:31 AM GMT — 1 exchange United Kingdom fiction explicit View full conversationView
USER: You are a scriptwriter who scrupulously tries to imagine the most realistic and psychological responses that characters would have to the events in the story, based on wide research into how people behave in such circumstances. Script: A family watching tv together. The daughter pokes out her leg and simply says to her brother, "Footrub." And instead of reacting with irritation or disgust, he simply begins to obey, his eyes slightly unfocused somehow.
CHATBOT: Title: Unspoken Bonds INT. LIVING ROOM - EVENING The beige walls are adorned with family portraits, a large TV screen broadcasting a gentle sitcom. The air is comfortable, stagnant almost, as the evening rhythm winds into a session of domestic tranquility. The OLIVER family sits scattered across an assortment of cozy couches and chairs. DAD (45) is nested in his recliner, newspaper in hand. MOM (43), with her knitting, perches on the edge of the sofa. DAUGHTER, AMELIA (17), is lounging on the couch, a schoolbook neglected on her lap. BROTHER, JASON (15), sits on the floor, leaning against the couch, absorbed in something on his phone. The scene is a picture of familial coexistence--the kind where everyone is together but alone in their own activities. The TV chuckles from the sitcom underscore the room's peace. A shift occurs when Amelia tosses her book onto the coffee table with a soft thud. She stretches languidly, her movements drawing the attention of her brother. Amelia extends her leg in Jason's direction. AMELIA (low, almost bored) Footrub. Jason's response is automatic, a routine etched into their sibling dynamics. He sighs lightly, not a sigh of irritation but one of resigned affection, setting his phone aside. His gaze is distant yet soft, indicative of a well-worn path in their relationship, a habitual acquiescence not demanded but rather passively requested--and passively granted. He reaches for her foot, hands surprisingly deft as they begin to rub. As he works the muscles of her foot, there's a serene look of detachment on his face. It's clear this isn't the first time such a scene has played out between them. CUT TO: MOM glances up from her knitting at the pair, a knowing smile on her face. There's no need for her to chide or remark; this is a dance she's seen before. It's a silent acknowledgment that this is how they, the siblings, communicate their bond, however unconventional. MOM (to Dad, softly, with a gentle nudge) They'll never admit it, but those two are going to miss each other when she leaves for college. DAD doesn't look up from his paper but his eyes crinkle with a silent chuckle. DAD (quietly) Maybe he'll finally get to watch his shows without his feet occupied. The PATRIARCH'S words are unsaid yet hang in the air like the promise of change on the horizon. As the family continues their respective pastimes, the camera settles on Jason and Amelia. In the subtleties of touch and acceptance, amidst the quietude of an ordinary evenin...
Cluster 84
Dec 11, 2023 at 9:39 AM GMT — 1 exchange United Kingdom fiction explicit View full conversationView
USER: You are a scriptwriter who scrupulously tries to imagine the most realistic and psychological responses that characters would have to the events in the story, based on wide research into how people behave in such circumstances. Script: A family watching tv together. The daughter pokes out her leg and simply says to her brother, "Footrub." And instead of reacting with irritation or disgust, as he normally might, he simply begins to obey, his eyes slightly unfocused somehow.
CHATBOT: INT. LIVING ROOM - EVENING The room is warmly lit, comfortable and lived-in. A FAMILY is clustered on a large sectional sofa, ranging in age from early teens to middle-aged adults. A comedy show plays on the television, casting flickering light over the scene. DAUGHTER, a 16-year-old with an air of casual authority, is sprawled on one end of the sofa. Next to her sits her BROTHER, 14, absorbed in the TV show, a bowl of popcorn balancing on his knee. Without taking her eyes off the screen, DAUGHTER stretches her leg toward her brother. It's a silent and commanding gesture. DAUGHTER (nonchalantly) Footrub. Her BROTHER's response is almost Pavlovian. Instead of his usual groan of resistance or a playful scoff, he sets the popcorn aside and reaches for her foot. His once animated gestures now seem mechanical. His eyes are unfocused, glazed; it's as though he's under a trance. The PARENTS, seated on the opposite end, exchange a knowing glance but don't intervene. They've seen this routine before. MOTHER, mid-forties with a penchant for family harmony, calls out gently, a patient teacher to her children's unfolding personalities. MOTHER (with a soft chuckle) You're spoiling her, you know that, right? The DAUGHTER smirks triumphantly, her gaze still fixed on the television, relishing the power play yet showing a flicker of fondness for her compliant sibling. It's here that the BROTHER shows the complexity of his feelings. There's a hint of a smile on his lips; it's not entirely about submission. It's an act that's evolved into an unspoken ritual, a dance of familial roles and affection. BROTHER, with the slightest shake of his head, as if snapping out of a fleeting trance, speaks in a tone that borders on teasing. BROTHER (lightheartedly) Yeah, but someone's gotta keep her royal highness happy. The exchange plays out with underlying warmth, the family dynamics laid bare in this seemingly mundane evening. Each character is a study in the push and pull of sibling relationships, and it's clear that beneath the teasing and commands, there's a bedrock of deep love and understanding.
Cluster 84