IP #2,727

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2 fiction conversations over 1 day (Nov 8, 2023 – Nov 9, 2023) 75% prompt uniqueness Moscow, Russia
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Nov 8, 2023
Nov 9, 2023
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2 conversations in cluster Cluster 0× “I want you to act as a screenwriter. This somewhat unsettlin...” over 4 hours (Nov 8, 2023 – Nov 9, 2023), oldest first. Show: 10 15 50 100
Nov 8, 2023 at 8:10 PM MSK — 1 turn Russia, Moscow fiction View full conversation
USER: I want you to act as a screenwriter. This somewhat unsettling, but at the same time stylish and artistic film features Estelle Preisig, a beautiful, elegant, assertive, confident and talkative young woman. Estelle is handicapped and scarred, having suffered an accident, after which she lost both legs and parts of pelvis. She has disfiguring scars on her torso and arms and spots colostomy and urostomy bags on her abdomen due to damage to her internal organs. Despite her debilitating condition, Estelle makes an effort to be independent and self-sufficient. Write long, original, imaginative and interesting scene. In it, Estelle rolls in her wheelchair through her adapted, but still rather cramped apartment, wearing some baggy and unappealing clothes. Estelle rolls to the mirror and looks at her reflection. She undresses, taking a good look at her scarred body. Estelle sends some curses to her doctors. She is suspicious of their claims of having saved her life, as she thinks they were more interested in getting their case into medical journals, when they harvested parts of her amputated legs and used them for her arms. Despite her dissatisfaction with her current form, Estelle tries making several alluring poses. She convinces herself that confidence is half the beauty and her face and hair are mostly intact anyway. Estelle then wheels to her wardrobe and makes a though planning of attire, wanting to wear something fashionable. She decides to properly cover her abdomen with its s...
CHATBOT: INT. ESTELLE'S APARTMENT - DAY A hazy, dimly lit room with a touch of vintage elegance. ESTELLE PREISIG, a strikingly beautiful woman in her late twenties, confidently rolls herself in a sleek motorized wheelchair. Her adapted apartment, though cramped, exudes an artistic flair with carefully curated decorations. Estelle is dressed in baggy and unappealing clothes, camouflage for her scars. She rolls towards a full-length mirror mounted on the wall, her eyes fixed on her reflection. There's a mixture of determination and vulnerability in her gaze. ESTELLE (whispering) You didn't break me. You won't break me. She reaches behind her back and starts unbuttoning her shirt, progressively revealing her scarred body. Importantly, her hands tremble slightly as she exposes her vulnerability. Estelle's scars decorate her torso and arms, permanent reminders of her past. She sends a silent curse to her doctors. ESTELLE (angry) They wanted their fame, their breakthrough. They used me, turned me into a mere case study. Her voice, laced with frustration, carries a blend of defiance and sadness. Estelle takes a deep breath, her eyes fixed on the mirror. She taps into her confidence, the resilience fueling her spirit. ESTELLE (confident) But I am more than their science experiment. I am beautiful, scars and all. She holds her wheelchair steadier, sits up straighter, and starts experimenting with alluring poses, as if she were modeling for the world. Each pose is a defiance against the narrow judgments of society. ESTELLE (whispering) Confidence is half the beauty. My face, my hair, they are mostly intact. I am still me, no matter what they took from me. She wheels herself towards a spacious wardrobe, filled with an array of fashionable clothes. Estelle's hands run over the fabric, contemplating her attire options. She wants to feel stylish, to express her individuality, hiding nothing but emphasizing her strength. ESTELLE (planning) Today, it's time for fashion to embrace me. I'll cover what I need to but leave the rest daringly exposed. She selects an ensemble - a flowing dress that artfully covers her lower torso, ensuring her stoma bags remain concealed. But she chooses a daring top that exposes her upper torso and arms, inviting the world to see her scars. A choice, an act of defiance. ESTELLE (smiling) Let the world see what I've been through. I am still beautiful, still alive. With a sense of determination, Estelle wheels herself towards the mirror, trying different ...
Nov 9, 2023 at 12:21 AM MSK — 1 turn Russia, Moscow fiction View full conversation
USER: I want you to act as a screenwriter. This somewhat unsettling, but at the same time stylish and artistic film features Estelle Preisig, a beautiful, elegant, assertive, confident and talkative young woman. Estelle is handicapped and scarred, having suffered an accident, after which she lost both legs and parts of pelvis. She has disfiguring scars on her torso and arms and spots colostomy and urostomy bags on her abdomen due to damage to her internal organs. Despite her debilitating condition, confining her to wheelchair, Estelle makes an effort to be independent and self-sufficient. Write long, original, imaginative and interesting scene. In it, Estelle rolls in her wheelchair through her adapted, but still rather cramped apartment,meets with her smooth, confident and sarcastic ex-fiance Dobromil Lauwens. She is wearing some baggy and unappealing clothes. Estelle rolls to the mirror and looks at her reflection. She undresses, taking a good look at her scarreda fashionable outfit, specially adapted to her body. Estelle sends some curses to her doctors. She is suspicious of their claims of having saved her life, as she thinks they were more interested in getting their case into medical journals, when they harvested parts of her amputated legs and used them for her arms. Despite her dissatisfaction with her current form, Estelle tries making several alluring poses. She convinces herself that confidence is half the beauty and her face and hair are mostly intact anyway. Estelle then wheels to her wardrobe and makes a though planning of attire, wanting to wear something fashionable. She decides to properly cover her abdomen with itsIt covers Estelle's lower torso, hiding her stoma bags, but decides to leave her upper torso and arms partially uncovered, daring people to notice her scars.reveals scars on her chest and arms. Dobromil did not know about Estelle's accident, yet his reaction to her disability seems pretty nonchalant, maybe even amused. They immediately start arguing about their separation, which did not happen on the best terms. Estelle then accuses Dobromil of avoiding the topic of her handicap and disfigurement. Dobromil, in a very nonchalant manner, says that he doesn't actually care about it, telling that Estelle's personality is more important to him and she is still very beautiful anyway. Besides, he claims, helplessness and vulnerability are becoming for a woman. Estelle is rather offended by this unfortunate attempt at a compliment and says as much. Dobromil cays that he always valued honesty in their relationship and always conveys things truthfully, as they are. He makes a jab at Estelle who was hiding her current condition from Dobromil. He says that someone less understanding and open-minded than him might have reacted rather differently, and not in a good way.
CHATBOT: INT. FANCY COFFEE SHOP - DAY The atmosphere is sleek and modern, with soft lighting casting a warm glow across the room. ESTELLE PREISIG, a stunning woman in her late 20s, sits at a table by the large window. She wears a fashionable outfit, a carefully tailored dress that covers her lower torso, elegantly concealing the stoma bags beneath. However, her scars on her chest and arms are still partially visible, a reminder of her past. Enter DOBROMIL LAUWENS, mid-30s, confident and smooth, as he approaches the table. He stops for a moment, taken aback by Estelle's changed appearance, but quickly regains his composure. DOBROMIL (smiling) Estelle, darling, you certainly know how to make an entrance. ESTELLE (slightly irritated) Dobromil, please spare me the pleasantries. We both know this meeting wasn't planned to catch up on old times. They exchange a cool look, tension hanging heavy in the air. DOBROMIL (defensively) Well, you're the one who suggested we meet, Estelle. I thought you wanted closure. ESTELLE (sarcastically) Closure? Is that what you called it when you left me, Dobromil? A letter, without a single word of explanation? DOBROMIL (sighs) You know how difficult things were for me at that time. I didn't know how to handle it all, and I thought distancing myself would be easier. ESTELLE (bitterly) Easier for you, maybe. But what about me? Did you ever consider how I felt? How it felt to wake up in that hospital bed, missing both my legs and parts of my pelvis? DOBROMIL (casually) Honestly, Estelle, it wasn't the first thing that crossed my mind. I was more concerned about losing the woman I loved. Estelle's eyes narrow, anger simmering beneath her composed exterior. ESTELLE (angry) You're unbelievable, Dobromil. You ignore the fact that I'm scarred, disabled, and confined to this wheelchair. DOBROMIL (smiling) Because it doesn't matter, Estelle. Your personality, your spirit, that's what drew me to you in the first place. And you're still beautiful, despite everything. Estelle scoffs, deeply offended by Dobromil's misguided compliment. ESTELLE (frustrated) How dare you! Helplessness and vulnerability should never be seen as attractive qualities in a person, especially not in a woman! You have no idea what it's like to lose control of your own body! DOBROMIL (coolly) Perhaps not, Estelle. But I've always prided myself on honesty, even when it's uncomfortable. Just remember, not everyone would react as understandingly as I have. Estelle looks at Dobromil...