User f3b779af1005... - AI Fiction in the Wild

IP #136

Back to search

2 fiction conversations over 5 days (Sep 26, 2023 – Oct 2, 2023) 43% prompt uniqueness Moscow, Russia

Possibly Same User

These IP addresses have similar average prompt embeddings (cosine similarity ≥ 0.85, same state). View as estimated user →

152370a3ffed... (255 conv., Moscow) 25b33c59d23e... (71 conv., Moscow) 2c0166f8daba... (343 conv., Moscow) 3186fcd1d6f7... (23 conv., Moscow) 41d90f3a9058... (6 conv., Moscow) 44580e65692b... (156 conv., Moscow) 4d2f2088e5a5... (53 conv., Moscow) 5c1d26e80570... (16 conv., Moscow) 68cd1231e329... (32 conv., Moscow) 7ffd82a431cb... (144 conv., Moscow) 80d33ea7c851... (5 conv., Moscow) 96d1c18c6bb8... (21 conv., Moscow) 9b7ebf049e11... (137 conv., Moscow) 9fb2aad693b3... (130 conv., Moscow) a2da078fff98... (28 conv., Moscow) b44db035ff1d... (192 conv., Moscow) b7ae3e566839... (26 conv., Moscow) c1f49ec710a9... (424 conv., Moscow) c65480c19768... (44 conv., Moscow) db3f4c72ca00... (31 conv., Moscow) f7aa19059ef5... (73 conv., Moscow) fbbe4466ea19... (24 conv., Moscow) fe5166559b27... (53 conv., Moscow)

Activity Timeline ▶

Sep 26, 2023

Oct 2, 2023

All conversations

Conversation Clusters (88)

TF-IDF Sentence ▼

2 conversations in cluster Cluster 49× “I want you to act as a writer. This groovy 1969 story featur...” over 5 minutes (Oct 1, 2023 – Oct 1, 2023), oldest first. Show: 10 15 50 100

Oct 1, 2023 at 9:29 PM MSK — 1 turn Russia, Moscow fiction View full conversation

CHATBOT: The sun was shining brightly through the large windows of Fabrice Paiement's eccentric and cluttered office. Anneliese Ehn, adorned in a vibrant flowing dress, rolled her wheelchair towards his desk, her presence exuding elegance and strength. Fabrice, a disheveled man with wild hair and an air of arrogance, looked up from his cluttered desk. His eyes widened as he took in Anneliese's stunning appearance. A hint of a smirk played on his lips as he motioned for her to take a seat. "Ah, Anneliese, the enigmatic songstress in person. A pleasure to finally meet you," Fabrice greeted, his voice laced with a mix of admiration and condescension. Anneliese's eyes met Fabrice's, her gaze steady and piercing. "The pleasure is all mine, Mr. Paiement. I must say, your films have always intrigued me with their unconventional storytelling." Fabrice waved his hand dismissively. "Ah, the mere musings of a madman, my dear. But let's cut to the chase, shall we? I've been reviewing the footage we shot for your musical number, and, well, it seems we're facing certain challenges. Your lack of mobility, to be precise." Anneliese's expression remained composed as she listened to Fabrice's words. She knew the limitations her wheelchair posed on set, but she also knew the power of her unique story. "I understand the difficulties, Mr. Paiement," Anneliese responded calmly. "But I believe my journey, my resilience, is what truly captivates audiences. It is through my triumph over adversity that I can inspire others." Fabrice let out a humorless chuckle. "Inspiration, my dear Anneliese? What a quaint notion. In the realm of cinema, it is the director who holds the vision, and the actors, well, they are but meat puppeteers, performing at my command." Anneliese's eyes narrowed, a spark of defiance flickering within. "Is that truly how you see it? Actors as mere objects, easily replaceable? Do you not understand the human soul that lies within them? The pain, the struggles they endure to bring your vision to life?" Fabrice paced the room, his silence weighing heavily in the air for a few agonizing minutes. Finally, he stopped and turned towards Anneliese. "You speak of pain and struggle, my dear Anneliese. Perhaps I have overlooked the significance of your journey. The pain you endure, rising above it, as you put it, is indeed a story that deserves to be shared." Anneliese's curiosity piqued, her voice tinged with skepticism. "What are you suggesting, Mr. Paiement?" Fabrice's eyes gleam...

Cluster 49

Oct 1, 2023 at 9:34 PM MSK — 1 turn Russia, Moscow fiction toxic View full conversation

USER: I want you to act as a writer. This groovy 1969 story features Anneliese Ehn, beautiful, elegant, glamorous, popular young female singer in 1969. Anneliese suffered a terrible accident sustaining multiple severe injuries. Her legs and pelvis were severely damaged, confining her to wheelchair, probably permanently. After several months of recovery, Anneliese almost unexpectedly returns to performing, much faster then expected and her wheelchair-bound condition notwithstanding. Surprisingly enough, her new musical direction, with psychedelic rock songs, is a hit, and she is more popular she has ever been. Now, Anneliese was even offered a musical number is a film, along with a role in several brief but prominent scenes, but some issues arise, mostly due to her mobility. Write long, original, interesting, artistic and imaginative scene featuring Anneliesenarrated by Anneliese from the first person perspective, conveying her thoughts and feeling in vivid and artistic detail. In it, Anneliese is meeting with director and screenwriter Fabrice Paiement, an eccentric, manic and slightly arrogant and narcissistic man in his 30s. Fabrice is frustrated by extensive efforts in scene direction and editing, intended to hide Anneliese' lack of mobility, having to shot her in sitting position, behind obstacles, etc. He thinks of getting able-bodied actress instead, saying that actors should be fit for the scene not the other way around. Anneliese calls him out on how easy it is for him to treat performers like cattle, a human resource. Fabrice admits that much, almost proudly. He says that the vision is his and the actors are mere meat puppeteers. Fabrice claims that nobody can be made to constantly affirm Anneliese and support her in all her endeavors. She is very popular anyway and has been paid for her not yet finished role already, already being more privileged than most people are, he argues. Anneliese is rather annoyed by his sentiment. She raises her voice, telling of the unimaginable pain she went through and continues to experience, and how she rises above it, which is something people actually need to see and be inspired, and Fabrice's pathetic movie is just a vehicle for her to convey her journey to people. At that moment, Anneliese stops and wonders whether she has overdone it. Fabrice keeps silently pacing around the room for a couple of minutes. Then he starts talking again, saying that stubbornly insisting on his vision despite all reasonable and practical considerations is why he is here and successful. Instead, he promises that if Anneliese's participation in this film turns out to be unrealistic, he will create another film, with Anneliese in the main role, specially adapted for Anneliese' conditionexplicitly starring her as a disabled character, yet a strong, complex and unconventional one - if she is up for it, of course. Anneliese is not entirely satisfied with his answer, but the offer of main role - even if rather hypothetical at this stage - intrigues her.

CHATBOT: I sat in the plush, dimly lit office, my heart racing, as I waited for Fabrice Paiement, the infamous director and screenwriter, to arrive. I could hear his muffled footsteps approaching, a flurry of energy accompanying him, as if the room itself was bracing for impact. And then, like a gust of wind, he burst through the door. Fabrice was a man in his 30s, boasting a disheveled mop of jet-black hair, which he ran his hands through repeatedly. His eyes, an intense shade of hazel, were alive with a fervor that bordered on madness. Dressed in a mismatched ensemble of vibrant colors and patterns, he exuded quirkiness, creating an aura of eccentricity that was hard to ignore. As he took his seat, lazily tossing a script onto the table, I couldn't help but notice his manic energy. He began pacing the room, unable to contain the restless thoughts that bounced around in his mind like a pinball machine. "Anneliese Ehn, the beautiful, elegant, glamorous singer," he started, his words laced with a faint touch of sarcasm. "I must admit, I am baffled, utterly perplexed by your quick return to the stage. I mean, your wheelchair-bound condition notwithstanding." His voice dripped with disbelief. I looked at him, a mix of determination and defiance coursing through my veins. "I may be confined to this wheelchair, but my spirit soars far beyond its limitations. I am not defined by my mobility, but by the energy and passion that radiates from within me." Fabrice scoffed and leaned back in his chair, throwing his arms wide open. "Ah, the eternal battle between artistry and practicality. Actors should be fit for the scene, not the other way around. Why should I go through extensive efforts to hide your lack of mobility? It's simply a matter of logistics!" His words stung, and I could feel a fire ignite within me. "You treat performers like cattle, human resources to mold and manipulate according to your vision. We are artists, not mere meat puppeteers," I exclaimed, my voice rising with each word. Fabrice leaned forward, a sardonic smile etched on his face. "You think you're special? Privileged? Anneliese, you are already more popular and successful than most people will ever be. You've been paid handsomely for a role you haven't even finished yet." My blood boiled at his callous disregard for my pain and perseverance. "You know nothing of the unimaginable agony I endured, the constant pain that courses through my veins. But I refuse to let it define me. I rise above it, and ...

Cluster 49